Somacentric Trajectilery is a discipline in which bodily motion reaches material before a predetermined image or form is conceived. Stated protocols restrict conscious control while material resistance, collision, breakage, and continuation participate in determining the irreversible trace.
Somacentric Trajectilery was developed by Viktor Genel in 2026 as a branch of Arteanity. It begins from a specific temporal problem: how can bodily action reach material before an emerging mark is subordinated to a preconceived image, style, function, or compositional destination?
The discipline does not eliminate intention. Materials, substrates, tools, and launch conditions may be deliberately selected. What is restricted is the authority of intention to continuously steer the event toward a preferred visual result. Once launched, bodily motion encounters friction, pressure, deposited material, breakage, interruption, and resistance. These events are retained rather than corrected back toward an imagined composition.
A finished Somacentric artifact is therefore treated as the irreversible record of a bodily-material event rather than as an image planned in advance. The discipline is related historically to gestural abstraction, Action Painting, embodied drawing, and the indexical trace, but is defined by its own protocols of restricted control and preutilitarian timing.